четвртак, 22. децембар 2011.

Alma Micic - Introducing Alma



NASLOV               Alma Micic - Introducing Alma

ETIKETA              CTA Records

MUZICARI

Alma Micic: vocals; Brandon McCune: piano; Sean Conly: bass; Israel Bannerman: drums

NUMERE

1.Day Dream 5:06
2.Corcovado 3:10
3.Close Your Eyes 2:57
4.Something To Live For 6:20
5.Yesterdays 4:03
6.That April Day 6:51   
7.Sejdefu Majka Budjase 6:59
9.I Remember You 3:09
10.But Beautiful 5:26


INFO

1) It's always a challenge to introduce a new artist, no matter how deserving or talented, without tripping over the usual litany of music journalist cliches. But jazz vocalist Alma Micic, though still young, really is the real deal in the making; self-assured both rhythmically and harmonically, she swings, has a great sense of space and time, and chooses happening material while avoiding the usual overworn vocalist cliche tunes. She also writes and even scats convincingly.
Micic is clear, confident, soulful, vulnerable, rhythmically savvy, with the most sensual vibrato you're likely to hear, combined with a unique approach and sense of intonation, especially on ballads—eg. "Something to Live For"—which all makes for a very original presentation, most especially on ballads. There she'll pull you into a world of her own making, one you'll gladly revisit with the anxious richness of reconnecting with a long lost love, and finding what you hadn't the first time.
Standouts include "I Remember You," a haunting piano/vocal arrangement of "Day Dream," "Close Your Eyes," a blusey reading of "Yesterdays," and the gorgeous "But Beautiful." "Quiet Nights/Corcovado" is tight and unique at its chosen tempo, as its taken as a samba rather than the usual bossa. It's as up as I've ever heard it, but works as a rhythm section thing, all except for making the lead appear rushed (though she's not), in contrast to the complete relaxation of the rest of the record.
Among the surprises are an inspired take on Shorter's "Infant Eyes" and her own original, "That April Day." A beautiful piece that's perfect for her.
By sixteen Micic was lead vocalist with the Belgrade Radio Big Band in her native Serbia. By twenty she'd performed at jazz fests all over Europe, eventually graduating from Berklee College of Music with honors. She now resides in New York, where she formed her current gigging/recording band, consisting of pianist Brandon McCune (who at times evokes comparisions with Red Garland, Herbie Hancock, even Bill Evans, with certain harmonic touches and runs), bassist Sean Conly, and drummer Israel Bannerman.
Though the group supports Micic ("Mee-cheech") with warmth, empathy, and maturity, they at times interact with her more as if she were more another instrument. This makes for a sense of greater possibilities, a sense of respect for the leader, and more interesting rapport all around. Sort of a balance between respectful sensitivity and assertion. If this is what a first effort sounds like, this would clearly be a band to see live—as soon as possible.
Track Listing: Day Dream; Corcovado; Close Your Eyes; Something to Live For; Yesterdays; That April Day; Sejdefu Majka Budjase; Infant Eyes; I Remember You; But Beautiful.
Personnel: Alma Micic: vocals; Brandon McCune: piano; Sean Conly: bass; Israel Bannerman: drums.

2)This CD showcases Alma Micic’s superb vocal abilities, as she blends with and soars over piano, bass, and drums. With songs in English, Montenegrin Traditional, and Scat, Ms. Micic’s recording reveals her versatility, vivaciousness, and vamp. This is a midnight and candlelight collection of ballads and even one samba.

Notable tracks:

#2 –Corcovado – Composed by A. C. Jobim. This track begins and ends with a repetitive piano refrain, with percussive drums and surreal samba. Sung in English, Quiet Nights and Quiet Days, Micic does not diffuse its exotic appeal. This is a most interesting twist to a renowned standard.

#4 –Something to Live For – Composed by B. Strayhorn and D. Ellington. With the barest of Bannerman’s brushes and Conly’s bass, Micic and McCune share the track with elegance and ephemeral quietude. Micic’s vocals tumble like raindrops in flight.

#7 –Sejdefu Majka Budjase – Montenegrin Traditional. This song, emanating from Montenegro, near Ms. Micic’s native Serbia, is sung with clarity and class. I would like to hear more songs in the repertoire from Ms. Micic’s homeland, as her language and passion in the genre add to the quality of its fascination.

#9 –I Remember You – Composed by J. Mercer and V. Schertzinger. This track showcases piano and drums, but adds Ms. Micic’s own style of accented scat in buoyant swing. The lyrics are the lesser focus, as the fused jazzy rhythms pulsate.